About a month ago, I rented a movie called The Savages from the library. The movie is not to be confused with the ultra-violent crime thriller Savages, which came out in 2012 and was directed by William Oliver Stone (I cannot watch it. Too gory.)
I remember hearing about The Savages when I was in middle school, but I was too young to see it. It is rated R. However, now that I am an adult and have gone through my own personal experiences with loss and grief, I appreciate that I waited to watch this movie. Common Sense Media recommended this movie for ages 17 and up due to its mature themes, and there is some truth to that recommendation. As a kid, I don’t know if I would have had much appreciation for this kind of movie. I was not very knowledgeable or aware about caregiving and aging when I was younger, but now I am dealing with the loss of many friends of mine who were seniors.
The Savages is a black comedy-drama directed by American filmmaker Tamara Jenkins, and it begins in a senior living community in hot and sunny Arizona. A caregiver, while looking out for an elderly woman, is telling an elderly man named Lenny Savage to clean up after himself. The elderly man is stubborn and refuses, but then the caregiver threatens him, so the elderly man says he will flush the toilet. However, when the caregiver comes in, he finds that the man has written an obscenity on the wall with his own excrement. The care facility calls Wendy Savage and tells her that her father, Lenny, has written a curse word on the wall with his own excrement. Wendy, a struggling playwright, is in the middle of sending out her plays to fellowships in hopes that she will receive the funding needed to make the plays happen (and take care of herself in the process, because living in New York City is expensive.) However, this news about her dad’s behavior sends her into a panic, and she calls her brother, Jon, who she hasn’t spoken with in years, to tell him what’s going on with their dad. Jon is a college professor living in Buffalo, New York, and he is also trying to maintain a relationship with a woman from Poland whose visa is going to expire. Wendy is sleeping with an older married man. As Lenny’s health declines, the two siblings, while navigating their own rocky relationship with each other, must decide whether to keep him in a nursing home or let him stay in his own home until the end of his life.
There is a pretty poignant scene that resonates with me more now that I am older and have had people in my life who are dear friends to me die in their 70s and 80s. At a diner, Jon and Wendy ask their dad whether he wants to be resuscitated or not when he is dying, and the dad barks at them, “JUST UNPLUG ME, DAMMIT!” as if that was the most obvious outcome for the end of his life. It shows how hard approaching death is for Lenny, especially since his girlfriend died. The film also gets complicated because Wendy and Jon find out that their father cannot continue to stay in his late girlfriend’s house because he was not put on the deed to the house so he does not own it. Wendy and Jon both have very different outlooks on death. I think Jon, like Wendy, is grieving his father’s decline and imminent passing, but he sees it for what it is, not as a smooth transition but an ugly unforgiving event. Wendy wants her dad to stay home, and at least, if he has to go to a nursing home, she wants him to stay at the finest nursing home. The siblings also come to understand that they did not have a very good childhood with their dad. They did not get to reminisce over their childhood memories with their dad. I think growing up, they had a dysfunctional family and did not have a lot of deep connection with their parents growing up. I think the scene where Lenny tells Jon and Wendy to unplug him reminded me of when my parents went over their estate planning with me, and I did not take it seriously enough or approach it in an emotionally mature way at first. I had this deluded idea that my parents would always be there to provide emotional and financial support for me forever, but after reading essays and lectures by a Japanese educator and philosopher named Daisaku Ikeda (1928-2023) about the Buddhist view of birth and death, I started to think about my own mortality and how I wanted to spend the last few years of my life. I developed a more sobering perspective on the passing of loved ones and the reality that I, too, am not immortal and will die at some point. From a Buddhist perspective, our life force continues even after our physical form as humans is no longer alive. We tap this dormant life force from within us by chanting the title of this Buddhist teaching called The Lotus Sutra. The title is Nam-myoho-renge-kyo, which we believe in the Buddhist community is the law of the universe and all life, and also that Nam-myoho-renge-kyo exists in us even after we pass away. It is an eternal law from time without beginning and has no expiration date.
Honestly, if I did not have the Buddhist view of life and death as the foundation for my outlook on things, I think this movie would have made me fearful of aging and death. But from the Buddhist perspective, death is one of the four sufferings that humans go through, the first three being birth, aging and sickness. I feel fortunate to have grown up in a religious community where I was around not just other young people, but also elderly people. Many of my friends in the Buddhist community belong to the Many Treasures Group, which is for seniors ages 65 and older. The Many Treasures Group studies Daisaku Ikeda’s writings about birth, aging, sickness and death and how we can transform these sufferings into causes for our enlightenment in this lifetime, without having to undergo austere practices lifetime after lifetime in order to finally attain our Buddhahood, or enlightened nature, only when we die. Every time I talk with the Many Treasures members, they are joyful and sincere and they always encourage the young people in our community whenever they are going through rough times. I remember in 2016 when I was feeling suicidal and hopeless about my life, I got the chance to support behind-the-scenes for memorial services at the local Buddhist center. There were no heavy formalities at these services. Everyone just came to pay their respects to their friends who passed away and shared fond memories of participating in activities at the Buddhist center with them. They encouraged me to study about the Buddhist perspective of birth and death, and even though I still of course go through those five stages of grief when someone I love dies, I know that their life force is eternal and that I can chant for their eternal happiness even after they are gone. If Jon and Wendy Savage were real-life people instead of movie characters, I would have told them about the Buddhist perspective of life and death, not to get rid of their grief, but to give them another view from which to look at their father’s aging and death that is more encouraging.