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Book Review: She’s Come Undone by Wally Lamb

Content warning: I share some personal stories about self-harm and mental illness. If you need professional help, call the 988 hotline for crisis support.

Yesterday, I finished a novel called She’s Come Undone by Wally Lamb. It came out in 1992, and I had wanted to read it at some point because it was an Oprah’s Book Club pick, but I was too young to read it. I finally decided to pick it up because I had always been curious about Wally Lamb’s books and had not made the time to read them before. I am glad I finally got around to reading the book because I was dealing with my crush rejecting me and panic attacks, and I didn’t know how to deal. I have struggled with self-hatred for much of my life, and I have found that reading has always brought me comfort whenever I deal with any negative feelings or tough experiences. So, I went to my local library and found a copy of She’s Come Undone, ready for me to bring it home and read. Honestly, I don’t know if I have ever met anyone like Dolores Price. She is sarcastic, fierce, and resilient, and honestly, I felt as if I had made a new (fictional) friend.

The novel takes place in 1956, in Rhode Island, and Dolores Price’s family gets a television set. The TV serves as a form of escapism for young Dolores as she deals with a tumultuous childhood. Her father is having an affair with a woman he works for, Mrs. Masicotte, and Dolores’ mom, Bernice, is pregnant with her second child. Dolores is excited to have a baby brother, but during the birth, the baby gets strangled with the umbilical cord when emerging from Bernice’s womb and dies, leaving Bernice and her husband grieving. Dolores’s dad leaves Bernice and Dolores for Mrs. Masicotte, and Bernice falls into a deep depression. Dolores’s grandmother lives with Dolores and her mom and is very conservative and religious, shaming Dolores and her mom for their lifestyle. Dolores starts eating a lot of junk food and continues to stay in and watch TV while her mother smokes and doesn’t take care of herself. Dolores gains weight and becomes the target of vicious bullying at school. A new 20-something couple, Rita and Jack Speight, move in with Dolores and her mom in the same housing complex, and at first, they hit it off well. Jack comes off as attractive and charming, and Dolores finds him attractive, too, but then he starts coercing Dolores to ride in his car and touches her inappropriately. One evening, when Dolores is just thirteen years old, Jack leads her into a dark alley and rapes her. The trauma Dolores suffers at the hands of Jack continues to follow her well into her adulthood, and she continues to gain weight and eat as a coping mechanism for dealing with her trauma. She gains weight and everyone stares at her. Her only friends are Roberta, who works at a tattoo parlor and has the same sarcastic humor as Dolores, and Mr. Pucci, her guidance counselor from school. Mr. Pucci encourages Dolores to go to college, but Dolores refuses because she doesn’t think she has a future going to college. Mr. Pucci tells her and her mom, Bernice, that if Dolores doesn’t go to college, she will regret it. After a lot of arguments with her mom and grandmother about not wanting to go to college, Dolores applies to college. She gets rejected by school after school but finally gets admitted to Merton College in Wayland, Pennsylvania. However, Dolores and her mom have an argument one evening and Dolores refuses to go to college, much to her mom’s disappointment. Bernice, tired, goes off to work at the toll booth, and is killed in an accident. Even though she is reluctant to go to college, Dolores does so because she knew her mother would want her to go.

She goes off to college and meets her roommate, Kippy, who doesn’t like her because she is overweight. Before going to college, Dolores lies about her identity in her letters to Kippy because she doesn’t want Kippy to know about that she is overweight, that her mom is dead and that she was raped at 13. Dolores wants to present Kippy with this perfect image of her and lies about having a boyfriend and a stable family, but it backfires when Kippy meets Dolores in person. Kippy feels that Dolores lied to her and they already start off their rooming relationship on rough footing. There is one other person in the college dormitory who is overweight and an outcast like Dolores, and that is Dottie. Dottie, who is a lesbian, falls in love with Dolores and sleeps with her, and Dolores feels ashamed to be around Dottie because she wants to fit in with the thin girls in the dormitory. The other girls gossip about Dottie, and Dottie tells Dolores to not get involved with the girls, especially because Kippy makes a really hurtful comment out of earshot that she would have killed herself if she had been overweight like Dolores. Kippy takes advantage of Dolores, making Dolores her personal servant, having her grab sodas and food for her and making her do all her errands. Dolores seeks solace in the letters that Kippy’s boyfriend, Dante, sends her, and steals the letters from Kippy because she doesn’t think Kippy deserves someone as handsome and charming as Dante. Still grappling with the traumatic death of her mom, Dolores feels like she has no one to turn to, and she ends up leaving Dottie’s house after a one-night stand and poisoning the fish in Dottie’s fish tank with chemicals. She hitches a ride from a West Indian immigrant who lives in the same neighborhood as Dottie, and they drive to the Tri-State area. The driver, Domingos, tells her about a bunch of beached whales on a local beach, and drives Dolores over to see them. The first time she hears the whales crying, she is overwhelmed and yells at Domingos to get her away from the beach and to go back to driving her to where she needs to be.

In part two, Dolores ends up in a mental health institution after her grandmother has been trying to locate her. Dolores sees a therapist, and he tries to get her to open up about her trauma, but Dolores is reluctant to do so. After several sessions, the therapist has Dolores swim in the pool and has her recall all of the painful memories from her childhood, namely Jack raping her at 13 and her mom dying in an accident. Even though the therapist thinks he is helping, Dolores tells him that she is better and wants to discontinue therapy, even after the therapist pleads for her to not go because he doesn’t think she has finished the inner work she needs to do to recover from her trauma. Dolores later ends up tracking down Dante, her college roommate’s ex-boyfriend, and they begin to live with each other. At first, Dante seems charming, and Dolores thinks that he will love her as long as she hides her past from him (her being overweight, the sexual assault, her mom’s death, etc.) However, Dante becomes more controlling and abusive, and Dolores sees that he is not as charming as his letters to Kippy in college made him out to be. One evening, Dante asks Dolores if she is on birth control before they have sex, and Dolores lies and says that she is. However, her life changes when she becomes pregnant. Dolores is hesitant about getting an abortion, but Dante forces her to do so, and Dolores ends up going through the abortion and mourning the loss of her unborn daughter, Vita Marie. This reminded me of the movie Waves because in the movie, there is a teenage couple named Tyler and Alexis who are at the center of the film, and they have unprotected sex, and Alexis ends up pregnant with Tyler’s baby. Tyler tries to calm her down and they go to an abortion clinic. On the way home, Alexis cries and tells Tyler that she doesn’t think she can go through with the abortion. Tyler gets angry at her for changing her mind and wanting to keep the baby, and shouts insults at her, even when she tells him that it’s her body and she can make her own decision about whether she wants to keep the baby or not. In She’s Come Undone, when Dolores aborts her unborn baby, she feels a lot of grief and shame, but Dante doesn’t really care about her feelings. Dante loses his job as a teacher after he sleeps with a high school student, and he starts becoming more sedentary and spends his days locked in his room brainstorming half-assed poems. Dolores realizes that her marriage to Dante is extremely codependent, and she felt she had to hide her authentic self from him so that he wouldn’t leave her. Thankfully, Dolores’s old friend, Roberta, comes by and they spend time together. I love the part when Dante tells Roberta and Dolores to keep it down while he is upstairs meditating about poems, and Roberta bluntly tells him from downstairs that he needs to lighten up and that life is too short to act so serious all the time. Later on, Dolores confronts Dante at a fast-food restaurant about his erratic behavior and confesses about her past sexual trauma and the abuse she suffered growing up. She also tells Dante how much of a hypocrite he is because she went vegetarian because he was vegetarian, but now he has stopped being vegetarian and is eating meat again. She tells him how hurt she is that he slept with other women, many of them his high school female students, and that she used to be overweight. Dante doesn’t want to hear any of it because he wants to continue to control Dolores’s life, but finally he angrily lashes out at her and punches the restaurant manager and leaves the restaurant. Dolores finally wins her freedom from Dante after the divorce and spends her time with Roberta, who helps her learn how to live as a newly independent single woman.

Also, when I thought about this book, I thought about this memoir that I had read last year called I’m Glad My Mom Died by Jennette McCurdy, who was a child actor in a show called iCarly. To be honest, I never saw iCarly because I stopped watching a lot of TV around the time that it came out on Nickelodeon, but by the end of reading her memoir, I just wanted to give Jennette a huge hug because I was crying throughout the book. In the book, Jennette describes the traumatic abuse she suffered at the hands of her perfectionist mother, Debra McCurdy, who died of cancer in 2013 when Jennette was 21. Honestly, the emotional and psychological abuse that Jennette’s mother put her through was painful to read about, and by the time I got to the scene when Jennette is recovering from bulimia, I wept because I just could not imagine the pain this young woman went through. Jennette’s book showed me that grief is complicated, and that recovery from abuse is a long journey. There is one part of the book where Jennette falls in love with a guy, and she thinks that he is the perfect partner. He tells her to get professional help when he finds vomit stains on their toilet and finds out that Jennette has been struggling with bulimia. Jennette goes through a long period of recovery and reading about how she recovered from years of anorexia and bulimia made me have mad respect for anyone who has had to go through an eating disorder and go through recovery, because recovering from any psychological disorder, be it depression, schizophrenia, or any eating disorder, is far from easy. I remember when I was trying to stop cutting myself in college, and it was very hard. Unfortunately, the therapist I was seeing at the time was not helpful and didn’t take my problem with cutting seriously, so I felt I had no one to turn to. When my parents found out I was harming myself when I got back from college, I felt ashamed. I even went back during my spring semester that year wearing a lot of long-sleeved shirts because I didn’t want people to see that I had harmed myself. There have been many ups and downs with me trying to stop harming myself well after college, and there have been a few times just these past few weeks where I had to reach out to the Suicide Hotline for help because I was just in a very dark place. But I am getting better and taking antidepressants, exercising, re-engaging with my hobbies and trying to practice more self-love through my Buddhist practice.

Movie Post: Mickey 17, My Weird Obsession with Dark Comedy, and Other Tangents

On Monday this week, I decided to go see Mickey 17. I saw the trailer for the movie when I went to the movie theater to see another movie called A Real Pain, and I absolutely loved the trailer for Mickey 17. I thought it was original and unique, and I remember seeing Bong Joon-Ho’s other movie, Parasite, a few years ago and it was really intriguing. I also really love Robert Pattinson, so I was pretty excited to see the film. I know that he has done so much more in his acting career since his days as Cedric Diggory in Harry Potter and the Goblet of Fire and as Edward Cullen in the Twilight franchise, and for the past few years I have seen him in more intense, independent films. A few years ago, I saw a movie directed by Benny and Josh Safdie called Good Time, and it’s a crime thriller movie. It was pretty dark, but I watched it because I enjoy movies distributed by this movie company called A24. They have a lot of interesting cool films, and even though I won’t get to see all of them, like X and other horror movies that A24 has distributed (I don’t like scary movies), I have enjoyed many of their films since I saw Moonlight. In Good Time, Robert Pattinson plays Connie, a young man living in New York City who tries to rob a bank and also looks out for his brother, Nick, who has a developmental disability. It was a total contrast from the Robert Pattinson I saw in Twilight and Harry Potter and the Goblet of Fire, and I think that Good Time catered to a different audience. When he was in these two movies, a lot of the audience members were teen girls, like me, who really loved the Twilight book series by Stephenie Meyer and a lot of people in my peer group loved Cedric Diggory. I’m sure there are still young women who love his current movies, and I am glad he got to star in those movies, but I’m also glad that he gets to find other projects that he wants to explore and roles that different from what he has played in the past. The last movie I saw him in was The Lighthouse, which is another film from A24, and in the movie Robert Pattinson and a legendary actor named Willem Dafoe play two lighthouse keepers who are stranded on a remote island off the coast in New England. The film takes place in the 19th century, and to give it its olden ancient feel, they shot the film in black and white. Honestly, I don’t remember any specific details that stuck out to me about the movie. All I remember is that it gave me chills, and I probably should have watched it with subtitles because the dialogue is old New England dialect, and I had a hard time understanding what the characters were saying. I don’t know if I can watch it again, though. It’s pretty unsettling and left me with goosebumps.

I think what got me more interested in learning about Robert Pattinson’s acting is an interview that he did with the incredibly talented actress, musician and producer Jennifer Lopez (she will always be “Jenny on the Block” for me. I love ya, girl). The interview is so authentic and so lovely to watch. Just seeing two people talk passionately about film and praising each other’s movies was so heartwarming and so delightful. I have always seen Robert Pattinson as this dark, serious person when he was playing Edward Cullen, or being a heartthrob as Cedric Diggory, but honestly, I loved watching him just nerd out with Jennifer Lopez about the work they do as actors. Actually, the entire Actors on Actors series is very wholesome to watch. I haven’t seen all of the interviews, but I have seen a few of them. There is one with Emma Stone and Timothee Chalamet, another with Kristen Stewart and Shia LaBeouf, and another with Daniel Kaluuya and Timothee Chalamet. I want to see the rest of the series on YouTube because I don’t know much about the business of being an actor in Hollywood, so it was really cool to hear the different acting methods and processes that these famous actors go through to prepare for their roles.

But I want to segue into my experience going to the theater to see Mickey 17. I got off work at 4 pm, and there was a showing at my local movie theater at 5 pm. Perfect timing! I asked my mom if I could borrow her car, and she was fine with it. I drove up to the movie theater, excited to see another movie. I felt once again like I was that 8-year-old kid getting excited to go to the movies. I pulled up, and I got there at 5:05 because I was running late. I rushed over to the ticket counter and purchased a ticket for the 5:00 pm showing of Mickey 17. I paid my $11.10 in cash (it was a matinee showing), got my ticket and walked into the theater. I felt like I was in paradise. I went to the person at the front desk near the concessions and showed him my ticket. I needed help finding House 11 on my ticket. The person told me where House 11 was. I thanked him and fast-walked towards House 11. I was worried I was going to miss the beginning. I walked past a large ominous poster for The Monkey, a horror film directed by Oz Perkins. It freaked me out, but I kept walking.

When I reached House 11, I opened the door. It turns out that I wasn’t late after all, and they still had ten more minutes of graphic violent bloody red-band previews to go. I told myself to not turn around as I heard squelching noises from the large movie theater screen. It was the red-band trailer for Novocaine, an action film. I thought about going back outside because I am sensitive to movies with violence and gore, and the sound was pretty loud. But I didn’t know if, when I waited outside, the movie was going to start without me, so I closed my eyes during the previews. There were only a few people in the movie theater seeing Mickey 17, which was kind of nice because I am still trying to be cautious about COVID-19 since I live with my parents and don’t want to get them (or myself) sick (although I haven’t been very good at masking all the time, to be honest.) So, I had the entire row G to myself. I put in my foam earplugs because the noise from the previews was pretty loud, and I have sensitive ears. They played another trailer for The Woman in the Yard, which is a horror film. After that preview, my heart kept racing, and I thought I was going to get a panic attack. I violated a huge movie theater rule, which is to not use my phone during the movie. Because I didn’t have the common sense to just walk out during the ten minutes of violent scary previews and just stay there until it was safe to walk back in, I opened my World Tribune app and read some faith experiences about members who used Nichiren Buddhism to overcome various challenges. But I couldn’t focus because my anxiety was at such a high level, and it was screaming at me to get my butt out of my recliner chair and go into the bathroom to recollect myself instead of thinking I just had to sit and close my eyes through the trailers and that would be enough. Even though I had my earplugs in, just hearing the screaming and the jump scares from these trailers set me on edge and almost made me cry and freak out right there in Row G. After quivering and closing my eyes through a trailer for a scary movie based on a Play Station horror video game, I opened my eyes when the trailer ended. The movie had started at last, and so I finally got out my skein of acrylic yellow yarn and size 8 needles and started knitting in the comfort of my recliner chair.

The movie opens with a young man named Mickey Barnes (played by Robert Pattison) lying down in an icy cavern. His friend, Timo (Steven Yeun), finds him down there and asks him what it’s like to die, and after he disappears, a bunch of aliens (called “creepers”) surround Mickey’s body and try to get him out of the ice. Mickey begins to narrate how he and Timo left Earth and ended up on the planet Niflheim. The movie takes place in the distant future, and Timo and Mickey are unable to repay a loan they owe to someone and as punishment they have to watch a man get his legs amputated with a chainsaw (I don’t remember if they showed it or not because I was closing my eyes during this scene). Mickey and Timo sign up to be crew members on a spaceship that takes them to a planet called Niflheim, which they seek to colonize. Even though Mickey tells the person at the desk that he read through the paperwork before knowing what he was getting himself into by signing up as an “Expendable,” it turns out that he lied and didn’t read the paperwork before signing up. He ends up taking a job where he becomes literally disposable and dies multiple times and is cloned over and over again for research purposes, so there are multiple clones of Mickey throughout the film. Even though Mickey’s job is thankless and bleak, he falls in love with Nasha, a beautiful crew member on the ship, and they have sex frequently and become a couple. Everyone else on the ship makes fun of Mickey for being an “Expendable,” but Nasha always sticks with Mickey and provides him a source of love and companionship that is missing from his daily job. Mickey 17 and 18 are the clones who end up surviving, and they have to find a way to stop Kenneth Marshall, who is a corrupt politician, from killing Mickey. Kenneth and his wife, Ylfa, aren’t only plotting against Mickey, but they also want to kill off the original inhabitants of the planet Niflheim, the “creepers,” and Nasha and Mickey have to find a way to stop Ylfa and Kenneth from forcing Mickey to carry out the plan to annihilate the creepers with poisonous gas.

I am still processing the movie, so I can’t give an explicit synopsis, but I will say that this film is pretty brilliant, even though it is goofy and outlandish at times. I tend to gravitate towards black comedies for some reason. I don’t know why, but one of the reasons that I saw Mickey 17 is because it is a black comedy. I had to look up more about the elements of black comedy to understand it more, and according to Brittanica, black humor “juxtaposes morbid or ghastly elements with comical ones that underscore the senselessness or futility of life. Black humour often uses farce and low comedy to make clear that individuals are helpless victims of fate and character.” I think my earliest memory of reading something that had dark humor in it was when I checked out a book at the library called The Melancholy Death of Oyster Boy, which is a poetry collection by Tim Burton. In the book, the young characters in the book go through horrible ordeals, such as Oyster Boy, whose dad eats him so that he can boost his sex drive, or a kid named James who gets mauled by a bear. Don’t forget the Mummy Boy who kids mistake for being a pinata and bust open. As a ten-year-old, the adult themes of these poems went completely over my head, but somehow the characters resonated with me, probably because they, like me, were outcasts. I also think I just liked the book for the illustrations because I found them to be unique and interesting. I’m pretty sure I checked out The Melancholy Death of Oyster Boy several times because to this day, I still have those grim illustrations stuck in my psyche. I reflected on it as an adult, and I thought, Wait….why are these poems so depressing? Also, I read some of those poems on PDF as a 30-year-old and realized, Oh, wow….wow, that was an adult joke or wow, wait, they were talking about sex in that poem?!? How did I not realize this when checking this out from the library?!? And then I looked online for more background about the book, and it said the poems are full of black humor, and it made sense why they kept this book in the adult section of the library rather than the children’s or young adult section of the library. It’s not every day you see an eight-year-old kid reading a poetry book about a bivalve whose dad eats him to increase his sex drive. But honestly, I have no regrets because I really loved reading those poems, even if they were bleak and sad. Maybe the loneliness of the characters spoke to me somehow. I was a pretty introspective quiet kid back in the day (I still am, even though I have discovered that I can also be outgoing at times) and was often lonely and didn’t have lots of friends to play with on the playground because I was weird and picked my nose and cried a lot. Books were great friends to me during that time, and so I guess I felt some sort of empathy for the characters in The Melancholy Death of Oyster Boy that made me want to read the poems over and over again. As I got older, I started to watch more movies in the dark comedy genre, such as Birdman and The Lobster. I really loved The Lobster. It was one of my favorites, but it is a really sad movie. It’s about a dystopian society where people have to find a romantic partner in 45 days or else they will be turned into an animal of their choice. The characters have to deal with these harsh restrictions, but they show little to no emotion, which I guess is why this movie is a black comedy. It’s pretty wild to think that we could live in a society where singles face such absurd discrimination and turn into non-human animals if they don’t find a companion. But the film does present a social commentary about the stigma that still surrounds being single. Even though more people are open to saying they are single or want to take care of themselves after a breakup or wait until dating again, there is still that pressure sometimes to find a romantic partner to spend your life with. I am inundated with Bumble ads, images of happy friends at their weddings and engagement parties on social media, and sure, I want to be happy for those people, but sometimes advertising has a way of making you feel that you’re missing out if you’re not doing a certain thing just because everyone else is. It’s why I had to delete my Facebook after a while, because I found myself comparing my life with my peers who were engaged, married and had kids and not being happy for them. I have thought at times about getting married one day or having kids, and obviously there’s nothing wrong with that. It’s just that I am still unsure at this point in my life if that is what I truly want, and even just having the chance to think about it is something I need to appreciate. I might change my mind one day and want to have kids and get married, but right now, I’m still figuring my life out and trying to take care of myself, so I appreciate that I have the space to do that. Watching The Lobster was uncomfortable at times, because the society had very little regard for the single people and expressed a cold unfeeling attitude towards them. The humor is really offbeat and deadpan, not normally the kind of humor I watch on a regular basis. But as I watched more of Yorgos Lanthimos’s movies, I came to understand he uses a very offbeat style of humor in his movies, like in The Favourite and Poor Things. I haven’t seen his recent movie Kinds of Kindness yet, but I’m pretty sure that is a pretty dark film, too.

I guess the movie Mickey 17 is a dark comedy because it grapples with the uncomfortable topic of death and dying. In real life, once someone dies, you can’t clone them. Their physical form is no longer there. But because the movie is science fiction, Mickey gets a new chance to die, not a chance to live, every time scientists on the ship clone him for research. It’s pretty bleak and messed up if you think about it. He has to die multiple times so that these researchers can do experiments on him. He can’t live a normal life. He has to live a meaningless existence where his entire purpose in life is to die and be cloned, die and be cloned and repeat. Honestly, I found it hard to watch the scene where they kill that one baby creeper. I know they are weird-looking creatures, but for some reason, I think after realizing that the creepers were trying to help Mickey, not kill him, I started to have more empathy for the creepers, especially the baby creepers. They were big and scary to watch, but I didn’t get any horrible nightmares or wake up screaming in the middle of the night after watching the movie. I did have to close my eyes during the scene where Kenneth Marshall and his wife, Ylfa, invite Mickey to dinner and serve him this unpasteurized meat, which he devours. I closed my eyes because I have an irrational fear of vomit scenes in movies, and Mickey vomits after eating the unpasteurized meat. It is a pretty long scene, and I chanted Nam-myoho-renge-kyo under my breath to calm myself down because vomit scenes actually make me have panic attack symptoms. Thankfully, I didn’t miss anything super huge by closing my eyes during the scene. I am glad I read Does the Dog Die before watching the movie to see if there were any vomit scenes in it.

I think my favorite scenes where when Nasha and Mickey were making love. For some reason, I found these two characters making love with each other to be incredibly hot and sexy. I haven’t seen the actress Naomi Ackie in a ton of stuff, but I saw Steven Yeun, who plays Timo, in a few movies like Sorry to Bother You, Minari and The Humans. I really love Mark Ruffalo, and he played a very convincing Kenneth Marshall. Even though Bong Joon-Ho, the director, said that Kenneth Marshall wasn’t based specifically on Trump, but on authoritarian leaders throughout history in general, Kenneth’s way of talking and mannerisms were very similar to Donald Trump’s, and at the rally on the planet Niflheim, there are pro-Kenneth Marshall supporters who wear red baseball hats similar to the MAGA hats that pro-Trump supporters were. I found it hard to watch the scene where Nasha has to save the baby creeper, which is hung on a hook and about to be killed.

Reflections on Death and Grief

A couple of weeks ago, I was browsing the Internet and looked up an article on National Public Radio about how to use my smartphone less. I found the Life Kit article very insightful, and because I am curious and tend to doomscroll a lot, I scrolled down and found a headline that stopped me dead in my tracks:

Michelle Trachtenberg, actress, dies at 39.

I was shocked. I don’t have Instagram or other social media, so I didn’t know what had happened to Michelle leading up to her sudden death, but all I knew was that I was, like so many other Millennial kids who grew up watching Michelle Trachtenberg in the 1990s and 2000s, was devastated to hear the news of her death. Like I usually do when an actor or musician I love passes away, I look up news stories, scour the Internet for articles with details about the cause of death, etc. But I had a moment of reflection and realized that the best thing I could do to deal with my grief at that moment, which was swallowing me whole as I sat alone and sad at my desk in the office, was to chant this Buddhist mantra called Nam-myoho-renge-kyo. As I chanted, it wasn’t like my grief disappeared. In fact, just a few minutes before writing this, I had to remove myself from the kitchen, where I was sautéing mushrooms for a pizza, and bawl my eyes out. I just let myself accept that I was in a lot of emotional pain after hearing about the death of Michelle because as a kid I really loved her in the movie Harriet the Spy. I cannot remember how many times I rented that movie from Blockbuster and watched it, but it was my favorite movie and book when I was younger, and I loved Michelle’s acting in that movie. I hadn’t seen Ice Princess, but I remember watching music videos by Aly and AJ for songs on the Ice Princess soundtrack, and I loved seeing Michelle’s beautiful smile and her childlike innocence. Unfortunately, I wasn’t familiar with most of her work, so I can’t say I was a die-hard Michelle Trachtenberg fan. I had only seen her in Harriet the Spy and the music video by Fall Out Boy for “This Ain’t a Scene, It’s an Arms Race” where she makes a cameo during the staged funeral for lead singer Pete Wentz. I watched Buffy the Vampire Slayer with my sister and aunt for a few episodes at some point in my adolescence, but I didn’t watch the entire Buffy show. I just remembered that Michelle Trachtenberg was in Buffy. They still have not come out with the autopsy results of Michelle’s death, and to be honest, I had to reflect on why I wanted to know so many personal details about her life. From what I read, sources say she was a pretty private person, and I never got to meet her unfortunately, so I didn’t know much about her personal life.

This definitely made me feel like I did when Aaron Carter, who was another key pop culture staple for Millennials, died at 34 in 2022. As a kid, you worship this person and their music, and you see them in music videos dancing and surrounded by all these preteen girls who are just beginning to experience those early stages of sexual awakening, screaming and holding up signs with “I Love You” and begging for autographs. And then when you get older and go through your own difficult issues, like every human being, you’re harshly judged for not staying, like a wax figure, into your permanent role as this cute, baby-faced kid who sang songs about beating Shaquille O’Neal at basketball and having a (non-alcoholic) party at your house. Even I was guilty of this. I thought I really knew Aaron Carter’s life and had a deep connection with him, but after doing a lot of reflecting, I realized that I only really had this image in my head of him being this super-cute kid. I feel bad for comparing him to Justin Bieber, but he really was the Justin Bieber of my generation growing up. When I was in elementary school, I always heard his songs on Radio Disney, and they were always fun bops that I jammed to in the car seat while my mom drove me to school.

I feel like something similar that happened to Michelle Trachtenberg in the last few years of her life. I was casually browsing the Internet a few months before her death because I was curious about what happened to her and so many other child stars that I grew up with, and there was an article about how people on Instagram criticized a photo of her that she posted. They said stuff like, “You look sick,” and that must have really hurt her. I remember she responded to the critics by saying she was older, and she wasn’t 14 anymore. I didn’t think much about it, but that stuck with me. Again, I don’t know the full story since I don’t have Instagram, but I think reflecting on Michelle and Aaron’s deaths remind me that, at the end of the day, the child stars I grew up with were dealing with issues outside of the spotlight, and most of them probably wanted their privacy respected. I thought about even writing a movie review of Harriet the Spy to remember Michelle Trachtenberg, and I might do that, but right now I am still processing the grief around her death. I also was kind of shocked when I found out about the actor Gene Hackman’s death, which I found out about just a day after finding out about Michelle Trachtenberg’s death. I didn’t grow up watching a lot of movies where Gene Hackman was acting in them. As a kid, I watched the trailer for a movie he was in called Welcome to Mooseport, but I was too young to watch the movie, so I never saw it (I wasn’t allowed to watch PG-13 films when I was a preteen). But it made me reflect on how I think about the deaths of actors and musicians I love, like Robin Williams and Amy Winehouse. When I read the writings of the late educator Daisaku Ikeda, he discusses the Buddhist perspective on life and death. Reading the Buddhist perspective on life and death helped me understand that at the end of the day, even with fame and success, actors and musicians are still human beings with their own personal struggles and worries.

I remember crying my eyes out when I found out that Aaron Carter died. I went to my Gohonzon, which is the Buddhist altar I chant to every day and chanted with tears running down my face. I told my mom about Aaron Carter’s death, and she encouraged me to keep chanting for his eternal happiness and told me that I can chant Nam-myoho-renge-kyo for people who have passed away. At first, I felt silly for crying over the death of someone who I had never met in my life, someone I only knew through their music, but my mom understood and said that it is still sad when someone dies because they still touched you in some way through their music or film. I am going to continue chanting for Aaron Carter and Michelle Trachtenberg.

Movie Review: Anora

Contains spoilers

I cannot believe it, but next week is officially the Academy Awards, and I have been doing my best to watch as many movies as I can before next Sunday comes around. Some of the movies I won’t be able to stomach, like The Substance and Gladiator II, because I am not a fan of body horror and I saw the first Gladiator and the film score was incredibly beautiful and blew me away, but unfortunately I have a weak stomach and often flinched and closed my eyes during all of the battle scenes (being a wimp about movies with lots of blood and gore kind of ruined my experience watching the movie because well, it’s a movie about gladiators and killing people and buckets of blood was the form of entertainment back in that time, so I probably should have just listened to the soundtrack by Hans Zimmer and called it a day instead of forcing myself to watch it because it was a cinema classic. Even though Russell Crowe, Connie Nielsen and Joaquin Phoenix’s acting was fierce A.F., after the first battle scene in the arena, I wanted to throw up as I watched folks get decapitated, cut in half and killed in other bloody unpleasant ways. But alas, I digress.)

So, I won’t be able to watch some of the movies, but I have already seen a few of the nominees: A Real Pain, starring Kieran Culkin and Jesse Eisenberg (who also directed the movie), The Brutalist, starring Adrien Brody, Guy Pearce and Felicity Jones and directed by Brady Corbet, and just five minutes ago, I finished streaming Anora, which was directed by Sean Baker and stars Mikey Madison and Mark Eydelshteyn as the main characters. I had heard about Anora many times in the past few months and saw the trailer, which looked really good. However, I am squeamish about vomit scenes and pretty much all of the films I have seen that are directed by Sean Baker have a pretty gross vomit scene in them. In one of his movies, Tangerine, which is about trans sex workers, an Armenian cab driver (played by actor Karren Karagulian) is driving around Los Angeles on a normal day, and two drunk guys vomit in his cab. I know it sounds silly, but I have emetophobia, which is a weird and irrational fear of vomit. I don’t know how I ended up getting emetophobia in the first place, but it has haunted my life for 31 years and it’s the reason why I had to keep getting up and going to the restroom whenever my health class teachers showed the class Super-Size Me, because there is a really gross vomit scene, and it freaked me out and I almost got a panic attack. So long story short, I have to look up the parent’s guides on IMDB and go on Doesthedogdie.com to often look up whether movies that I watch have vomit scenes in them so I can be prepared to close my eyes (and sometimes ears) in case they do. Sure, I would be reading spoilers, but honestly, I would rather read a few important plot points than go into a panic attack when someone surprise-vomits in a movie scene. So, I did the same for his other movies, Red Rocket and Anora.

But honestly, my fear of vomit is not the most important part of this blog post, of course. It’s what I thought about the actual movie, Anora. As I write this, I am catching my breath (in a good way) because MY GOLLY GOSH, MIKEY MADISON CAN ACTTTTTTT. Seriously, I had chills while watching her performance. She is not a damsel in distress, even though she is a very dangerous situation. She is a tough-as-nails Brooklynite who takes no nonsense and swears like a sailor (I was going to say, “she swears like a born-and-bred-New Yorker”, but I am not from New York City and don’t want to offend those native New Yorkers who don’t cuss a lot.) I could tell she really worked very hard to prepare for her role as the title character, Anora, who goes by Ani. Ani is a sex worker living in Brooklyn who is struggling to make ends meet, and she works at a strip club called HQ Kony Gentlemen’s Club. Her life changes, however, when her boss assigns her to a young male client who speaks Russian. Because Ani speaks Russian, she is able to communicate with this young man, who she finds out is named Vanya (or Ivan). At first, she is just treating him like any old client, but he woos her and then wows her when she finds out that he is the son of this wealthy Russian oligarch. They end up developing an intense infatuation with one another. Ani at first doesn’t think he is serious about wanting to be with her, and when they spend the night together at his super lavish pad (which he doesn’t actually own. His parents do) she wakes up the next day and tells him she has to go back to work. However, he tells her that he will pay her a ridiculous amount of money for her to be his girlfriend for a week. He takes her to these lavish parties, showing her off as his girlfriend and making her feel like most important person in his life. He has maids that clean up the floor while he plays video games all day, and she does her work and dances for him. He is entertained and she thinks, “Well, I need to go back to work and my regular life,” but Vanya tells her that he is sad that he will have to go back to Russia to work for his father, and that the only way to get out of having to go back to Russia is to marry an American woman so that he can stay in New York City. Ani doesn’t think Vanya is serious, but when he actually proposes to her, she does so, and they get married in a chapel in Las Vegas.

Ani is living the dream, but the next day, her romantic fantasy is quickly crushed when some guys who work for Vanya’s father come barging into Vanya’s penthouse suite when they find out that Vanya married Ani in Las Vegas. Igor and Garnik, two henchmen who work for Vanya’s dad, come in and demand to see the marriage papers so that they can annul Vanya and Ani’s marriage. When Vanya and Ani don’t comply, Ani is tied up while Vanya escapes from the house. Ani screams bloody murder and attacks Igor and Garnik, while Toros, who works for Vanya’s dad, too, has to leave a baptism at an Armenian church because he has to now get involved with annulling Vanya’s marriage to Ani. Igor assaults and restrains Ani while she screams for them to let her go, and Toros finally arrives and tries to calm Ani down, but she continues to yell at them to let her go. Igor gags her and Toros calls Vanya on Ani’s phone, but Vanya doesn’t pick up. So Garnick, Igor, Ani and Toros have to drive all around New York City to find Vanya. After they spend hours looking for him, they find him at the HQ Kony Gentlemen’s Club in a private room where Diamond, Ani’s red-haired jealous competition, dances for Vanya while he cheerfully stuffs dollar bills in her thong, with Iggy Azalea’s banger hit “Sally Walker” thumping on the soundtrack, not knowing how much heartbreak and suffering he caused for Ani, Garnik, Igor, Toros and his parents in Russia. While he is intoxicated, Ani tries to convince him that she and him are going to stay married and get away from all this drama in their life, but Vanya laughs it off and doesn’t care. Ani and Diamond have a brutal fight with each other, which gets the attention of everyone at the gentlemen’s club, and Garnik, Igor and Toros grab Vanya and get him out of the club into the van so that they can take him over to the courthouse and get Vanya and Ani’s marriage annulled (and get them prepared for a serious vodka-infused ass-whooping from his parents, Nikolai and Galina, who DO NOT PLAY.) Ani tries to convince Vanya to take this entire matter seriously and tells him how worried sick she was when he escaped, but he acts like it was no big deal. They go to the courthouse and Ani, pissed as fuck, cusses out the judge and Toros and everyone who made her life a fucking nightmare (including the once-dreamy-Prince Charming-now-scumbag-Vanya), and the crazy part? The judge says they have to go to Las Vegas to sign the annulment papers because that is where Ani and Vanya got married. They can’t annul the marriage in New York. So, Vanya’s parents fly from Russia to the U.S., and even when Ani tries to gain Galina’s approval, Galina refuses to shake her hand and tells her coldly that Ani will never be part of Vanya’s family because of her reputation as a sex worker. At first, Ani refuses to get on the plane, but Galina tells her with an icy smile that if Ani refuses to fly with them to Las Vegas to get the annulment papers signed, she will lose everything. Ani finally gets on the plane, and they go to Las Vegas to sign the papers. Vanya and his parents go back to Russia, even after he tries to reason with them that what he did was no big deal, and Ani comes back to New York City with Igor, shattered, destroyed and heartbroken. Even though Igor violently restrained Ani at the beginning of the film, he ends up being the one to bring her some much-needed consolation in the end and seems to be the only one who is willing to sit with Ani in her pain and suffering. When the credits rolled, I was speechless. All I could think was, When they announce the nominations next Sunday evening, this movie HAS to win at least one Oscar. Seriously. It was another reason why Sean Baker is one of my favorite directors.

What I really appreciate about Sean Baker is that he presents a very realistic portrayal of what life is like for sex workers in his movies. And I appreciate that Hollywood is gradually starting to portray sex workers as these human beings with regular lives rather than as these objects of men’s desires who don’t have a voice or a narrative of their own. Even when watching the 2005 film Hustle and Flow, because I had seen the film Zola, which is told from the perspective of a Black female sex worker, I couldn’t help but notice that the female characters in the movie don’t have much of a voice of their own. They are just supporting characters in helping a man further his hip-hop career. Don’t get me wrong, Taryn Manning and Taraji P. Henson were absolutely incredible in the movie, but I am glad I watched a movie like Zola that doesn’t exploit sex workers in the movie and gives them agency and a voice of their own. In Zola, Zola is a young Black woman who meets a white girl named Stefani while they are stripping in Detroit, Michigan. They become fast friends, until Stefani coerces Zola to go with her on what she thinks is going to be a fun trip to Florida where they get more clients but instead is actually a dangerous sex trafficking operation that Zola finds herself unable to get out of. Even though Colman Domingo’s character, a pimp named X, and Nicholas Braun’s character, Derrek (Stefani’s boyfriend) are key characters in the film, they are supporting characters in the movie. The film focuses on Stefani and Zola’s complicated friendship. Even though they bonded over being sex workers, at the end of the day, Stefani didn’t respect Zola and was just taking advantage of her, and the two of them fight throughout the film and are no longer having fun as friends. I watched the movie twice because it was so good, and the acting was incredible. I didn’t know anything about the original Twitter thread that Zola had published, but when I watched the movie, I started to read more about it and became more interested in the story because I am not a sex worker and don’t have much knowledge about sex work.

Anora was a really powerful movie, and even though it is a romance movie, it definitely defies the typical fairytale romance storyline. Today, I did a study presentation at my Buddhist center for a morning chanting session, and the study I did my PowerPoint on was from an article in the February 7, 2025 World Tribune (our weekly Buddhist newspaper) called “We Create Our Own Happiness.” In the article, the late Buddhist educator Daisaku Ikeda shares a quote by the Swedish chemist Alfred Nobel, and the quote, to paraphrase, is that while wealth and property can be inherited, happiness cannot. People can possess lots of money and status and power, but those things bring a temporary form of happiness and doesn’t get rid of people’s problems. Of course, there are plenty of examples of people who use their wealth for good causes, to help other people and fund various charities and nonprofit organizations. However, what Buddhism has taught me is that happiness is a matter of what we feel inside, our inner state of life. Even though Ani married this young man who came from money and thought he could give her true love, he was actually just using her and didn’t truly love her at all. He inherited all this money and took her on all these lavish trips and parties, but he was still empty and miserable and so was she. Even though his parents let him stay in this luxurious penthouse suite, he does not have a very warm loving relationship with his parents at all. They are controlling, and even when Ani tells Vanya that he doesn’t have to listen to his parents, he can’t just leave his life because then that would mean giving up this lavish lifestyle that he has simply by virtue of being the son of a wealthy Russia oligarch. His parents, however, could never hand him happiness on a silver platter. They didn’t even care about his happiness. Even when Ani tried to make it work with her and Vanya, she could not. Their marriage was transactional, not real love. That is what Toros was trying to tell Ani even when she kept convincing him that her marriage to Vanya was true love and was going to make her happy. Toros told her over and over again that Vanya really didn’t love her and that she was not legally married to him, and that this fairytale idea of her and Vanya getting married was just that, a fairytale, not reality. Vanya was always going to treat Ani like she was disposable and was only going to see her as a prostitute who was just there in his life to give him a short-lived thrill before he moved on to someone else. Seriously, the final scene of the film where she cries after having sex with (and slapping) Igor as he cradles her in his arms really broke my heart. It made me think of when I fell in love with this guy and had all these delusional daydreams about us ending up married with children, living a blissful carefree life well into retirement. I fell in love with him because he thought I was attractive, and as a girl with terrible self-worth at the time, I assumed that the way he felt about me in college was the same way he felt about me at 27 when we reconnected. But by then, I quickly realized that he had moved on, he had changed, and he was in a happy soon-to-be marriage with someone else. It took years of therapy, Buddhist practice and self-care to finally get to a place where I could confront the reality that me and this guy were never going to be together, even though it was painful. My crush was my escape from the humdrum reality of my 9 to 5 office job. However, I think chanting Nam-myoho-renge-kyo and studying The Writings of Nichiren Daishonin and Daisaku Ikeda’s writings reminded me that I had profound self-worth even if I wasn’t in a relationship with this guy. I also realized that this guy couldn’t ever give me the happiness that I wanted. I had to be responsible for my own happiness because I have my own problems to deal with, and he has his. It took a lot of deep digging and human revolution, but I have developed so much profound love for myself in the process and have developed what Buddhists call “absolute happiness,” which is a kind of happiness that can’t be destroyed by changing external circumstances because it is within our own lives, and we cultivate that happiness through our practice of Nichiren Buddhism. I really love looking at movies through the lens of Buddhism because it helps me understand both the good and dark sides of human nature.

I am sure that this what Ani went through is not just something that happens in fiction only. A lot of young women deal with heartbreak, and I am sure there are women who are coerced into these unhealthy marriages where they never find true happiness and are just being treated like a transaction instead of a flesh-and-blood human being with thoughts, feelings, needs, and wants. Sean Baker’s films have really opened my eyes to the tough reality and stigma that a lot of female sex workers (including trans sex workers of color) face on a daily basis. Of course, as someone who doesn’t work in the sex work industry, I don’t know if the film speaks for the reality of all sex workers, and I am sure plenty of sex workers have good and bad things to say about the movie just like they have various opinions about the movie Hustlers. But it was definitely empowering to see a young woman who works in sex work playing the main role as this bold protagonist who doesn’t take nonsense from anyone. I think after watching his other movie Red Rocket, which is about a washed-up 30-something male adult film star who falls in love with a 17-year-old cashier at a donut shop and tries to get her into the adult entertainment industry, watching a movie like Anora was a different experience. Red Rocket was a black/dark comedy that really left me disturbed and unsettled because of its subject matter. Simon Rex’s character, Mikey, wasn’t supposed to be likeable. He was a creepy middle-aged white guy who flirted with a teenager (even though in the movie he justifies that in Texas, he can flirt with her because she is 17 and that is the legal age of consent) and also took advantage of his ex-wife and her mother, as well as the people in his community.

I need to head to sleep, but I am just glad that I got all my thoughts about the movie out so that I can sleep at night.

Anora. 2024. 139 minutes. Distributed by Neon. Directed by Sean Baker. Rated R for strong sexual content throughout, graphic nudity, pervasive language and drug use.

Rabbit (written on 4/29/21)

I wrote this poem during my lunch break at work one day, while lonely and crying in my car. I was feeling deeply hopeless and was in a dark place with my depression at the time, and so I chanted this Buddhist mantra that I chant every day called Nam-myoho-renge-kyo and it made me feel a lot better. As I chanted, I gained the life force to appreciate this beautiful little moment when I saw a rabbit and a squirrel outside of my car window, and it inspired me to write a poem about this precious brief moment.

The rabbit
Brown fur
Soft large eyes
Cocks its right ear
Then its left
Sits up at attention
Wiggles its nose
Looks around
Monitors the premise
It races across the grass
I chant in appreciation
While looking out my car window
I chant in appreciation
To this rabbit
For helping me understand
That in life
When you are battling inner darkness
Depression and suicide
Facing death head on
When you're young and directionless
You need to appreciate the little moments in life
Facing life and death teaches you
To see the beauty in the everyday
I send daimoku
To the rabbit
As I appreciate their life
And how by their living
They taught me the value of life itself.
Tears run down my face
As I chant each Nam-myoho-renge-kyo
To my little friend
He has given me a reason to live.

I chant while watching
The squirrel rummage and search for victuals
It finds food
Digs with its teeth in the grass
Nourishes itself
Then disappears.
The squirrel returns 5 mins later
Eats its meal
Relishes it
As it looks at me
It runs to another place in the grass
Forages
The bunny bounds, approaches the squirrel, -Hey friend.
The squirrel runs up a tree.
The bunny races from the squirrel
The squirrel poises, then jumps from the tree
It rummages, nibbles fast, eyes me, pauses,
Twitches its tail
A blue jay flies away
The squirrel shifts around furiously
With a vibrant life-force
An ichinen like no other
It rummages with its black little nose
Through the mulch
Peers up at me
-What are you looking at? Leave me alone.
It stealthily bounds to the bushes
Oh ambushed by rabbit.
Rabbit runs
The squirrel
From a distance
Nibbles at more food
Rummages everywhere
For a gold mine of food
It bounds around the curb's grassy sidewalk
I chant nammyohorengekyo
for my friend to find more food
It keeps digging
with its never give up spirit.
It emerges from the earth
Nut in its mouth
then digs and digs with its paws
So determined.
Its fellow squirrel across from it
on the other side
searches for more food
more buried treasure
Its tail curled around its body
It bounds away
So long friend

My friend
the rabbit
returns once again
standing still
I chant
fusing my Buddha life energy
With its Buddha life energy, activating its life force
It stands rapt
Its hind legs bunched
It licks its fur
Wrinkles its nose
1 min left of lunch
I savor this art
This natural beauty
my friend bounds away. goodbye.

Random paylist

I was going through all my old miscellaneous writings and saw a list of songs I must have listened to at some point in the past. I love listening to music and exploring new songs, so a lot of these songs are from various genres, such as alternative rock, R n B, international, and jazz. I must have listened to these songs while exploring Amazon Music or Pandora.

  • “The Way Things Are”: Fiona Apple
  • “Can’t Let Go”: Anthony Hamilton
  • “Do You Remember”: Jill Scott
  • “Dance for You”: Beyonce
  • “Found/ Tonight”: Ben Platt and Lin-Manuel Miranda
  • “Love”: Keyshia Cole
  • “Foolish”: Ashanti
  • “The Next Movement”: The Roots
  • “Watermelon Man”: Herbie Hancock
  • “Turn Your Love Around”: George Benson
  • “You and I”:Avant
  • “Mr. Blues”: Hank Crawford
  • “Untitled”: Sigur Ros
  • “Smile”: Lily Allen
  • :Tiny Dancer”: Elton John
  • “Ring of Fire”: Johnny Cash
  • “La-La-La”: Jay-Z
  • “Walnut Tree”: Keane (I am listening to this right now, and it is one of my favorite songs by them.)
  • “High by the Beach”: Lana del Rey
  • “The Essence”: Herbie Hancock
  • “Soon As I Get Home”: Babyface
  • Piano Trio No. 4 in E Minor (“Dumky trio”): Antonin Dvorak
  • “A Sky Full of Stars”: Coldplay
  • “Man in Black”: Johnny Cash
  • “Where Did Our Love Go?”: Babyface
  • “Fugue State”: Vulfpeck
  • “Ainvayi ainvayi”: Salim Merchant
  • “Dear Summer: Memphis Bleek

The playlist I was going to give to my orchestra director in high school but don’t remember if I did or not

I was going through my old journals and papers and found an old playlist I had written on notebook paper and torn out from a spiral notebook. I think I was planning on making a mix CD for my orchestra director, Mr. Goins, but I don’t remember if I ever gave him the mix CD or not. I probably did, I just forgot since it was years ago.

  • Parachutes: Pearl Jam
  • I Want to Take You Higher: Sly and the Family Stone
  • Take Your Time: Al Green feat. Corinne Bailey Rae
  • Remembrances (with Itzhak Perlman) from Schindler’s List
  • Day Too Soon: Sia
  • The Hardest Button to Button: The White Stripes
  • I Never Loved a Man (The Way I Loved You): Aretha Franklin
  • Here Comes the Sun- The Beatles/ Abbey Road, 1969
  • Lean on Me: Bill Withers
  • Movin’ Out (Anthony’s Song): Billy Joel
  • Past in Present: Feist
  • Orinoco Flow: Enya
  • I Want You Back: Jackson 5
  • La boheme, opera: Musetta’s waltz: Giacomo Puccini
  • False Alarm: KT Tunstall
  • Girl They Won’t Believe It: Joss Stone
  • White Flag: Dido
  • A Hard Rain’s A-Gonna Fall: Bob Dylan
  • Papa’s Got a Brand New Bag: James Brown
  • Jesu, Joy of Man’s Desire: J.S.Bach
  • Green Eyes: Coldplay
  • Finale: Presto: Haydn
  • Amsterdam: Coldplay
  • Music: Joss Stone
  • They Can’t Take That Away from Me: Ella Fitzgerald
  • Hypnotize: The White Stripes
  • Little Black Sandals: Sia
  • P.Y.T: Michael Jackson
  • Honey Honey: Feist
  • Cantaloupe Island: Herbie Hancock
  • Who Makes You Feel: Dido
  • A Thousand Beautiful Things: Annie Lennox
  • Daylight: Coldplay
  • Wie lieblich sind Deine Wohnungen: Johannes Brahms
  • I Still Haven’t Found What I’m Looking For: U2
  • Suddenly I See: KT Tunstall
  • Ave Maria: Andrea Bocelli
  • Concerto pour harpe et orchestre en la majeur- Maurice Ravel
  • Dance to the Music: Sly and the Family Stone
  • Rhapsody in Blue for piano and jazz: George Gershwin

Movie Review: She Said (content warning: descriptions of sexual assault)

A couple of weeks ago, I watched She Said for the second time. If you haven’t seen it, it is based on the true story of this article that these two female journalists, Megan Twohey and Jodi Kantor, published in 2017 called “She Said,” detailing the multiple allegations against media mogul Harvey Weinstein, who was sentenced to prison for sexually assaulting several female actresses and assistants who worked for him. The movie reminded me of other movies I have seen about predatory behavior and sexual violence. There was a movie I saw a couple of years ago called The Assistant, and it is about a young woman who has aspiring dreams of being a film producer but works in a toxic environment at a film production company. No one at her workplace is willing to speak out against the guy who runs the company because they fear losing their jobs if they speak out. There was one scene in The Assistant that haunts me forever, and it is when Julia Garner’s character, the assistant, goes to Human Resources and tries to file a complaint of sexual harassment that she witnesses. The guy in human resources condescends to her and tells her basically that they can’t do anything about it because the guy harassing these women is a powerful man, and he fears for his own job at the company. It was extremely disturbing to watch this film because neither the assistant nor the people who worked under this powerful boss could file charges against him because the boss could fire them or threaten them, so they stayed silent while he continued preying on young women.

She Said shows how two women stood up to a real-life bully through their work in investigative journalism, and after seeing the movie a second time, I have a much deeper appreciation for anyone who works in investigative journalism because it must be a tough job. In She Said, Jodi Kantor (played by Zoe Kazan) and Megan Twohey (played by Carey Mulligan) both work as journalists at The New York Times. The film opens with a haunting scene in Ireland in 1992. A young red-haired woman is walking on the beach, and she sees a film crew shooting a movie. Her face lights up, and the crew welcomes her as a new member of their team. She is hopeful that she can make it in the world of film production, and she is enjoying her time working with the team. However, in the next scene, she is running with tears streaming down her face, her heart racing fast, as she escapes from something/ someone terrifying. The movie cuts to New York City in 2016. Donald Trump has been elected as the 45th president of the United States and is under fire for making inappropriate comments about women and sexually harassing them. Megan Twohey is expecting her first child and is also investigating into the allegations against Donald Trump. She speaks with a woman who alleges Donald Trump abused her, but the woman says that the New York Times isn’t going to do anything to stop the harassment because she tried to speak out and no one did anything. Megan speaks to Donald Trump on the phone (James Austin Johnson from Saturday Night Live does the voice of Donald Trump in the film) about the allegations, and he cusses at her and threatens her. She later receives a phone call from someone who works for Trump, threatening to rape and kill her. Jodi Kantor, meanwhile, is a young Jewish woman who is happily married with two daughters, and she is doing an investigation into the film producer Harvey Weinstein, who co-founded the film company Miramax with his brother, Bob Weinstein. In 2020 Harvey was finally sentenced to prison, with eighty sexual assault allegations against him. Harvey allegedly raped several women who worked for him, and no one has taken him to trial for his crimes. Jodi reaches out to a woman named Rose McGowan, who Harvey raped when she was a young actress, and when Jodi asks her permission to do an investigation into her account of the assault allegations, Rose refuses to participate in the investigation because she tried to speak out against the allegations, but the media didn’t do anything about them. Jodi and Megan contact each woman who Weinstein assaulted, and while not all of the women are willing to come forward and talk about the trauma they experienced while working at Weinstein’s company Miramax, some women, including Ashley Judd, come forward to talk about their stories of the rape and the trauma that they experienced under Weinstein’s management. It was really hard hearing the audio of one of the experiences in the movie of Harvey coercing one of his female assistants into sex, and her telling him no over and over again, telling him to stop touching her, telling him she didn’t want to be alone in the room with him. The audio plays as the camera moves slowly through a dim hotel hallway with no one in the hallway. It was scary, but as someone who hasn’t gone through what these women went through, it was important for me to hear these real accounts so that I could understand that sexual assault is real, and a lot of women didn’t want to come forward because Harvey and Miramax forced them to sign non-disclosure agreements saying they wouldn’t tell anyone that he groomed and assaulted these women. The last experience about the young woman in Ireland was also hard to listen to because like so many young women working for Miramax, she was promised that she was going to launch her career by working with an influential powerful guy like Harvey, only to realize that Harvey cared nothing about her career or the careers of the women who worked for him. He used his influence to coerce and intimidate these young women and left them with a lot of shame and trauma, forcing them to deal with the silence and shame after the abuse on their own without telling anyone.

I still remember when I read about the allegations against another media figure, Bill Cosby, and at first, I was ignorant and didn’t understand how bad the allegations were. When I read more about the allegations, I asked my dad, “Why didn’t the women just say no? Why didn’t they speak up?” and my dad told me, “Because Bill Cosby threatened these women if they spoke up. He threatened to take away their jobs and careers if they spoke up, so they were scared.” It was tough at first because I wanted to believe it was as easy as pie to somehow speak out against sexual abuse, but after my dad explained why these women didn’t go forward with their accounts of Bill Cosby sexually assaulting them, I took a step back and thought, Damn, I need to be a better ally to victims of sexual assault. I need to educate myself more. In a college essay on sexual violence in 12 Years a Slave, I conflated the words “rape” and “sex,” and thought that the character Patsey wasn’t being “raped” but that her master was “having sex” with her. I’m glad my professors called me out a few times on me conflating rape and sex, but I finally didn’t get the message until I was on Facebook in 2017 and was reading posts by my friends and acquaintances from college about how rape is rape, not sex. I felt really stupid for conflating rape and sex, but it was a learning experience that I needed to learn from so that I wouldn’t continue to conflate rape and sex or minimize sexual assault allegations.

This movie, She Said, showed that fighting against injustice is challenging, but it is so worth it in the end because the women who Harvey assaulted didn’t have to have their trauma ignored because after the New York Times published the investigation into Weinstein’s sexual assault allegations, Weinstein was sent to prison and many women in other industries outside of Hollywood felt empowered to come forward with their own accounts of sexual violence. There was one scene that really stuck with me in the movie, and it occurs when Jodi, Megan and a member of the New York Times staff are out having drinks. They are talking about the investigation, when a young man comes up to Megan and starts flirting with her. Megan at first politely refuses, but the guy insists on getting her number. He finally proceeds to say something overtly sexual, like “I would bend you over…” to Megan, but before he can finish, she slams her hand on the table and shouts at the guy, “FUCK YOU! GET THE FUCK OUT OF HERE!” The guy leaves, and him and his friend call Megan a “frigid bitch” under their breath as they leave the bar. That scene showed me how much of an impact this investigation into the assault allegations against Weinstein are having on the women’s personal lives because maybe before the investigation, Megan wouldn’t have said anything, but after hearing experiences by the women who Weinstein assaulted, Megan realizes that she doesn’t have to take any kind of sexual harassment from any guy, even if the guy seems like he is joking around.

The movie She Said also made me think of another movie I saw called Women Talking. Women Talking is about an isolated Mennonite colony that has a long history of sexually abusing the women and girls in the colony. The women and girls meet in a private location where their husbands and sons can’t see them, and they discuss whether they are going to leave the colony or stay and fight the men who abused them. The movie is terrifying because while it shows scenes with the women making the plans to leave the colony, it shows each woman grappling with her trauma and having flashbacks to when the men of the colony sexually assaulted them. There is one good male figure in the movie who stands up for the women, and instead of mansplaining them, he listens and helps them leave the colony. He grew up with a female figure who raised him to see women as equals, so he has a different perspective on the women’s roles in the colony. He respects that they want to end years of sexual abuse in the colony and takes action to help them, even when not all of the women are receptive to him helping them out.

Also, I loved the music in She Said. Nicholas Britell is one of my favorite composers. He composed music for Moonlight, Vice, If Beale Street Could Talk and the TV show Succession. I loved the cellist’s solo parts on the score as well. The score was intense and haunting, which was fitting because the movie was intense and haunting. Honestly, I wasn’t sure if I was going to be able to handle watching She Said a second time. But the acting by Carey Mulligan and Zoe Kazan (and Andre Braugher, RIP) is incredible, and left me sitting on the edge of my seat. My parents watched the movie with me and thought it was really powerful. As I watched Carey Mulligan playing Megan Twohey in the movie She Said, I thought about another movie I really liked her in called Promising Young Woman, which has similar themes. Even though She Said is a true story, Promising Young Woman, even though it’s a dark comedy, raises awareness about the topic of sexual assault, which is very real, and gives it a vengeance twist in which a young woman gets revenge on the people who were involved in some way, either directly or indirectly, with the sexual assault of her friend from medical school. Cassie’s friend, Nina, was sexually assaulted in public and committed suicide after she was raped, leaving Cassie grappling with grief at losing her friend. Cassie drops out of school and lives with her parents, but she doesn’t want to feel powerless. She wants to avenge her friend, so she goes to bars, pretends to be drunk, lets a guy pick her up from the bar and take her back to his place. She pretends to be unconscious, and the guy proceeds to assault her while she is unconscious and drunk, but she fools them into thinking she is going to let them do that to her and confronts each of these men with a knife in hand and a look that says “Don’t fuck with me. Literally. Because I will kill you, motherfucker.” And it’s not just men she is getting revenge on, but also a female classmate and the dean of the university who didn’t speak out when Nina was raped in public. Cassie gets revenge on them, too. I didn’t really like the way the movie ended (I won’t spoil it, I promise) but I had to remember that it’s a dark comedy and dark comedies are usually grim and uncomfortable to watch because these movies get you to think about serious issues using very twisted humor. I don’t resonate with all of the dark comedies I watch, and frankly some comedies are too dark (or gross) for me to watch, like Triangle of Sadness (don’t look it up if you don’t know what that movie is about. I have a fear of vomiting and to this day have flashbacks to when I saw a promo for the movie trailer). But I really liked Promising Young Woman because it was clever, and Carey Mulligan’s role was epic. I really liked her in She Said, too. I have only seen Zoe Kazan in a couple of films: The Big Sick, in which she plays Emily Gordon, the real-life wife of comedian Kumail Nanjiani, and Ruby Sparks, in which she plays a character written by her real-life husband (and fellow actor), Paul Dano. I really also loved Andre Braugher’s role in She Said. He plays a member of The New York Times staff named Dean who calmly calls Harvey out every time Harvey threatens him and the staff if they publish the investigation into the allegations against him. Seeing him in his last movie role was really bittersweet because he plays Captain Raymond Holt in this TV show I loved called Brooklyn 99. Andre Braugher passed away quite recently, and when I heard the news, I was really sad and cried a lot. He played the role of Dean brilliantly, and to this day I still really miss Andre Braugher. I also recognized an actor in the movie named Peter Friedman, who plays a representative of Weinstein in the movie. Peter Friedman was in this show I love called Succession, and he played Frank, who was one of the people who worked at Logan Roy’s company Waystar Royco and is Logan’s confidant. He is a really good actor in the show, so when I saw him in the movie She Said, I was like, Oh my God, that’s the actor who played Frank Vernon in Succession! The show Succession is pretty dark, a dark comedy, a satire of the wealthy, but the acting is phenomenal, and I watched it mainly because Sarah Snook won an award for it, and one of my family members told me the show was really good, so I watched the entire thing in two months.

The movie, She Said, also gave me mad appreciation for people who go into investigative journalism. I don’t work as a journalist, so seeing the work that Jodi and Megan put into the investigation of the Weinstein allegations looks like it was serious work that required a lot of dedication. Jodi and Megan really cared about the women being able to come forward with their stories so that men like Harvey Weinstein don’t get away with predatory behavior in the future. I didn’t know much about investigative journalism other than watching a few shows or movies in the past about it. Even though the New York Times article, “She Said” gave me goosebumps when it came out and haunted me, I kind of just moved on afterwards. Then, the allegations against other powerful figures in the entertainment industry, namely the rapper and businessman Sean “Diddy” Combs, were released, and so watching the movie She Said reminded me that the allegations against Harvey Weinstein were not isolated incidents, and that there are multiple Harvey Weinsteins out there not just in the media and entertainment, but also in food and retail service, hospitality, the legal field, politics and other industries, so we need to keep talking about the topic of sexual assault even though it is uncomfortable to discuss because this all boils down to human rights and respecting the dignity of people’s lives and speaking out against anyone who tramples on the dignity of people’s lives. There was a movie similar to She Said that came out called Bombshell. I saw it a long time ago, so I can’t remember all of the plot, but it stars Margot Robbie, Charlize Theron and Nicole Kidman, and it is based on the real-life sexual harassment allegations that female employees at Fox News made against the late Roger Ailes. It was a really good movie and brought to light an important issue that is very real: the sexual harassment allegations against powerful men in the media.

Overall, I really recommend you watch She Said. It is a powerful movie, and the acting is incredible.

She Said. Directed by Maria Schrader. 2022. Rated R for language and descriptions of sexual assault.

Movie Review: The Peanut Butter Falcon

A few weeks ago, I finished watching The Peanut Butter Falcon. It’s starring Shia LaBeouf, Dakota Johnson and Zack Gottsagen. I went to the library to take back a bunch of movies I had checked out, and I thought, ok, I’ll leave the library once I take these movies back, but then I ended up exploring the DVDs section for almost an hour and checked out twenty more DVDs. The Peanut Butter Falcon was one of the movies I checked out. It is a really wonderful film.

The film is about a young man with Down Syndrome named Zak who grew up without family to support him, so he has to stay at a state-run care facility. After trying to escape the facility many times, especially because he is being poorly treated there, an older man named Carl finally helps Zak escape in the middle of the night when all the staff are asleep. Zak has a dream to become a professional wrestler, and he watches an old videotape of this wrestler named The Saltwater Redneck many times and talks to Eleanor and Carl about his dreams of becoming a professional wrestler. Meanwhile, Tyler is a fisherman who is on the run from two men who want to hurt him. Zak hides in Tyler’s fishing boat, and Tyler finds Zak after he escapes the two men who are after him. At first, Tyler wants nothing to do with Zak, but Zak has no family and no one else he can trust, so Tyler lets him go with him. Zak and Tyler develop a beautiful friendship, and Eleanor, who at first is trying to get Zak to come back to the care facility under orders from her boss, ends up developing a romantic relationship with Tyler and re-evaluating the way she has treated Zak.

The film shows the discrimination that people with intellectual disabilities often face. As someone who doesn’t have Down Syndrome and has only met a few people who have Down Syndrome, I can’t speak for people who have Down Syndrome. But the movie showed me that Zak had to overcome a lot of prejudice from others who thought he wouldn’t be able to achieve his dreams just because he has an intellectual disability. It also showed how hurtful slurs used against people with intellectual disabilities are, in particular the r- word (I don’t like saying it anymore, so I would just Google “the r-word” if you don’t know what I’m talking about.) Growing up, I often heard the r-word used in casual conversation by able-bodied people like me, and they would often use the r-word to describe each other, themselves, or inanimate objects. I even used the r-word many times in casual conversation just because everyone else around me used it and I thought it was harmless to call my binder the r-word or even when I made a mistake, instead of calling myself “stupid” I would call myself the r-word.

However, I didn’t understand how hurtful and outdated slurs like the r-word actually were until I got to college and was doing research in the archives at the library. In the archives, there were some articles that students with intellectual disabilities had done calling out the r-word and other slurs used against people with intellectual disabilities, and it was also my first time learning about ableism, which is discrimination against people who have disabilities. I grew up in a conservative Texas town, so there wasn’t much information about ableism, but when I got to college on the East Coast, I started learning more about other forms of discrimination besides racism, sexism and homophobia. I learned about sizeism, which is discrimination of people based on their body size, and ageism, which is discrimination of people based on their age. Of course, I probably shouldn’t generalize because there are people in Texas who are aware that this kind of discrimination isn’t ok and are speaking up about it, just as there are people in Massachusetts who don’t know about ableism, sizeism or ageism. I, too, as I mentioned above, was very ignorant about ableism and would use often ableist language growing up because I grew up with people saying it like it was no big deal, so I assumed it was no big deal. In high school, we had students who were in special education, and I often had pre-conceived ideas and assumptions about people with intellectual disabilities.

But watching this movie made me reflect on these biased ideas I had in my head about people with intellectual disabilities. There is a scene where Tyler, Eleanor and Zak are on a raft in the water, and they end up having a conversation involving the R-word. Eleanor doesn’t think Zak is capable of doing a lot of things without supervision. Tyler thinks that Eleanor is presuming that Zak is the r-word and he has Zack hold his breath under water so that he doesn’t hear Tyler use the r-word. Tyler tells her that when Eleanor thinks Zak is the r-word, she is saying that he isn’t capable of doing things. Eleanor gets upset and tells Tyler she never called Zak the r-word, but Tyler tells her that she is treating Zak as if he was the r-word. There is an earlier scene where Tyler tells Zak that he can’t come with him on his journey to escape from the guys he owes money to, and Zak stays behind. Tyler comes back to find a kid shouting at Zak to jump into a lake even though Zak doesn’t want to, and the kid calls Zak the r-word. Tyler shouts at the kid to leave Zak alone and punches the kid. Tyler doesn’t think he can help Zak, especially since he is dealing with his own issues, but Zak places his trust in Tyler since Tyler doesn’t abandon him like everyone else did. Tyler also doesn’t condescend to Zak or make him feel like he needs to be babied or treated differently just because he has Down syndrome. Tyler doesn’t have any friends or family he can depend upon, and his brother died, so he is grappling with a lot of grief and loneliness. He doesn’t have anyone he can trust, so at first, it’s hard for him to open up to Zak about himself, even his name and where he is from. But Zak doesn’t try to pry into Tyler’s private life; he also doesn’t have any friends, so he and Tyler pretty much only have each other. Tyler teaches Zak how to be resilient and become physically stronger. Along the way, he teaches Zak how to fish, how to shoot a rifle and other survival skills that no one at the care facility could have taught him. When Zak tells him that he wants to meet the Saltwater Redneck, a pro-wrestler who he admires, Tyler doesn’t know who the Saltwater Redneck is, but he promises to take Zak to meet him. Even with all the challenges they face, Zak also shows Tyler and Eleanor that he is capable even with his disability and that he doesn’t need people to condescend to him or feel sorry for him.

The music for the film is incredible, though. I love old Motown music, and lately I have been enjoying listening to The Staple Singers. I don’t know their entire song catalog, so listening to “Freedom Highway” was a new one for me. The song plays when Zak is trying to escape from the care facility he is staying at and ends up getting caught, and the song continues to play while Tyler is out on the river fishing and gets chased by two guys who are after him. The song was perfect for the opening because it is an old song with gospel rhythms, and the film takes place in the southern United States. I couldn’t stop listening to the song after hearing it in the movie.

January 9, 2025: grits, Jimmy Carter’s funeral and my irrational fear of bugs

I left my alarm clock off this morning because I didn’t have work today. The roads were icy and there was snow, so they advised folks to stay home. I don’t think there was enough snow for me to make a snow man, and frankly, I didn’t want to freeze my ass off, so I stayed indoors. Thankfully, my power and heat stayed on, which is a huge blessing because in 2021 we had a horrible winter storm called Uri and it knocked pretty much everyone’s power out here in Texas. I have to count my blessings every day, which is what I did when I woke up. I have had a rather rough time because I’m not sure if I’m experiencing panic attacks, anxiety attacks or just a general feeling of unease that comes with being a human being in a world full of chaos. But I found myself ruminating about what happened the day before at work, and what I didn’t accomplish. I had a crazy workload yesterday, and I felt overwhelmed, like I didn’t get as much done as I wanted, so I was pretty dang hard on myself. I tend to ruminate about a lot of negative stuff, so when I wake up in the morning, if I am too worried to get out of bed (and too snuggled under the covers to confront the challenges of daily living) I read something. From a physical book. Lately, I’ve been reading Bleak House by Charles Dickens, and also reading a darkly comic memoir by Jenny Lawson called Let’s Pretend This Never Happened, which has a taxidermized mouse wearing a Shakespearian costume on the cover against a gray background. I also love reading The Writings of Nichiren Daishonin, which is a compilation of letters that a Japanese Buddhist reformer named Nichiren Daishonin wrote in the 1200s. When I feel too scared about the state of the world, reading these letters encourages me to persevere. So, I woke up and read for a little bit, then figured I needed to get my morning routine going with some breakfast. I grabbed my little orange bottles of Zoloft and Buspar and headed over to the kitchen to make some breakfast. I dug out some bread from the freezer and made myself some toast. I pulled open the bottom drawer and took out the container of Quaker old-fashioned grits. Since I didn’t have work today, I figured it would be the best time for me to make grits. I filled up a saucepan with water and threw a little bit of salt into the water. My toast popped up, and I gave it a nice spread of peanut butter. I popped open the pill bottles and took my medications with my peanut butter toast. As I waited for the water to boil, I decided to recite my morning Buddhist prayers. I got in front of my family’s wooden altar and got out my prayer book and beads. Every morning and evening, as part of my daily Buddhist practice, I recite excerpts from the 2nd and 16th chapters of this Buddhist scripture called The Lotus Sutra, which teaches that everyone has an inherent life condition called Buddhahood, which is characterized by wisdom, compassion and courage. As I chanted, I remembered the passage I read this morning in a letter called “On Attaining Buddhahood in This Lifetime,” and in the passage Nichiren is telling the person he is addressing the letter to that in order to free themselves from the sufferings of birth and death, the person needs to understand that their life is the law of Nam-myoho-renge-kyo, which we chant over and over again in order to bring out this life condition of Buddhahood from within our lives. As I chanted to the scroll in my Buddhist altar, called the Gohonzon (the fundamental object of devotion that embodies the law of Nam-myoho-renge-kyo) I reaffirmed that my life was the law of Nam-myoho-renge-kyo and that I was absolutely and inherently worthy of respect.

I finished my prayers and went to check on the water. Little bubbles emerged from the depths of the saucepan to boil up to the surface, and so I measured out a cup of grits with a measuring cup and put the grits into the saucepan of boiling water. I turned the stove onto a lower heat and turned the kitchen timer on for twenty minutes. I got out my laptop and prepared to work on my writing project. But then I checked YouTube because it’s my go-to source for entertainment, and I found in my video feed that they were live-streaming the state funeral of Jimmy Carter from Washington, D.C. I decided to watch it, especially since I didn’t have to go to work today. I watched as members of the military guard carried his casket, draped with the United States flag. The members marched in place, and took step by step, halting with each step they took as they brought Jimmy Carter’s casket into the giant cathedral before the service began. The kitchen timer went off and I checked on my grits. They were thick and ready to eat. I opened the fridge and took out the vegan butter and maple syrup. I love a little sweetness in my grits, so I poured a little syrup over the grits and stirred them together in my ceramic bowl and then topped it off with some pecans. I dug in while I watched the funeral on YouTube. The grits were delicious and had a nice Southern-style sweetness to them. I polished off the entire pot of grits, which was enough for four servings. The guard was still bringing in the casket, and then a commercial interrupted the proceeding. I sighed and decided to watch the funeral on the television in our living room. I grabbed a knitting project that I am working on and with my belly full of Southern-style grits, I waddled over to the television room and sat down on the sofa as if I was pregnant with a food baby and didn’t want the baby to accidentally come out of me. I flipped through the channels, and came to CBS, where they were showing the state funeral for Jimmy Carter. I grabbed my knitting needles and knitted away. Knit 1, purl 1, knit 1, purl 1…my fingers crisscrossed the needles with each stitch and loop of acrylic blue yarn over the needles. I saw Barack Obama, Bill and Hillary Clinton, Kamala Harris and Doug Emhoff, Donald Trump and Melania Trump, and George W. Bush and Barbara Bush seated together.

Suddenly, I heard a loud scratching noise, and then a buzz. Oh, shit. We have had a serious bug problem with these large wasp-like beetles coming into our house unannounced. I understand they needed a warm place away from the cold, but all I could think was, OH NO IT’S A BIG-ASS BUG AND IT’S GOING TO COME AFTER ME!!! I screamed the minute I saw the big flying black bug buzzing against the wall and ran out of the room. My parents heard me, and I grabbed the spray bottle of rubbing alcohol. My mom sleepily walked over to the garage, fresh from a deep sleep until I woke her up with my blood-curdling scream, and she grabbed the broom. I sprayed at the bug and retreated as he raced in my direction. I yelped and ran off, and came back, fearful. He was dancing around the lights and trying to escape the poisonous spray of the isopropyl alcohol. I sprayed him again, and he danced his final waltz in the air before collapsing to the ground. With the little ounce of life that he had left in him, he tried to combat the fumes of the alcohol, but he was no match. I squished him with the magazine I had on hand, and he was gone. I thought I had taken out the last of these critters, but as I was about to enjoy some Yoga with Adriene, another big black bug touched my shoulder and buzzed past me, greeting me with an innocent, “Hey girl! You missed me?” as if the bug I killed reincarnated itself so that it was never really dead. I screamed bloody murder again and ran out of the room. I quivered and called my parents for help, and my dad looked around the room to see if Mr. Big-Ass Flying Black Beetle was really in my room. He could not find him, and so I decided to take my laptop into the living room and do my yoga there. After doing a few downward dogs and cat-cow yoga poses, my mind was still ruminating on how big and scary that bug was, and how thirsty he was to avenge the earlier death of his brother by coming after me. I remembered that my floor had quite a few dust bunnies and hairballs, and that in general my room was still very messy and cluttered, so I decided to put my worries to rest by doing some cleaning around the house. I grabbed some Trader Joe’s peppermint castile soap and mixed it in a silver bowl with some water from the tap. I scrubbed down the countertop, the kitchen cupboards and the baseboards with the soap-water mixture as Giveon’s crooned from my laptop speakers a beautiful song called “Like I Want You.” My golden hoop earrings dangled from my earlobes as I got on my knees to scrub those baseboards. I feel like such a badass bitch wearing these new hoop earrings. I feel so much sexier for some reason. I finished and dusted the floor with the Swiffer mop and cringed as I collected loads of dust and little stray hairballs left from many a natural-hair braiding session I have had in my bedroom. I wiped down my headboard and the baseboards, and I found Mr. Big Black Flying Bug clinging for dear life to my orange box of yarn and knitting needles. He didn’t want to die. I get that. If I were living a bug’s life, too, I probably wouldn’t want to get squished. But seriously, the bug was scaring the shit out of me, so I decided to put it out of its misery and kill it. The moment I saw it, I let out a war whoop (which was actually just another blood-curdling scream) and squished the little guy with my Swiffer pad. That ought to finish him, I thought. But again, little guy didn’t want me to kill him, so he flapped his wings and continued to traverse along the edge of the knitting box. I squealed like a little girl while my mom asked me where the bug was, thinking the bug was going to exact his vengeance on me right then and there. When he tried to get away, crawling on the floor, I finally stomped him out with my woolen blue slipper, saying, “Ha! You’re dead!” I felt bad, but I knew that if I woke up screaming in the middle of the night because the bug touched me again, I wouldn’t get any sleep and would also keep my parents up for the umpteenth time with my screams. I laugh because I’m in my 30s and have had this irrational fear of bugs since I was really young, and it hasn’t gone away. I think I need to keep going to therapy.